Augustus Loop is a VST plugin that features a unique tape-based delay effect that you could use to enhance your mixes. According to the developer, the plugin comes with several additional features that makes it easy to integrate with the looping device of your choice. The delay is quite long and can reach a maximum of 3600 seconds or one hour. In addition, you can to record and set the loop delay time while recording your first phrase. If you want to add a little extra touch to the effect, then you can consider employing the tape sim section and thus, emulate the signal degradation specific to vintage tape echo machines. Since the idea is to enable you to simulate an old-school tape delay, it means you can reverse the direction, stop it any time, change the time smoothly or adjust the speed by increasing or decreasing the pitch. To achieve smooth transitions, the plugin can be set to fade up and down automatically in your playing and it can even clear the loop one time after the fade out. The seamless transitions can also be obtained via the inertia free mode that has the role of suppressing the tape-like behavior when you are changing the delay times between the loop lengths.
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Augustus Loop comes with more features than your average tape delay plugin. 1. Tapesim: makes it easy to emulate tape degradation while recording. 2. Vary the speed: speed can be varied smoothly and independently from velocity. 3. Reverse the delay. 4. Set the delay time automatically while recording. 5. Continue recording with the loop length. 6. Smooth transitions. 7. Inertia free mode. 8. Split time into 3 zones; i) Delay, ii) Pitch inverting and iii) Mix. 9. Record start and stop. 10. Tempo. 11. Get soundclip (supports audio and MIDI) with the rewind button. 12. Clear the loop. 13. Auto/manual rewind. 14. Set the loop length at any time during the phrase. 15. While the loop is set, the manual and automated delay can be set as you wish. 16. Pitch change during the delay. 17. Microphonics free mode. 18. Do not start with the latest phrase. 19. MIDI in/out. 20. Flutter bypass. 21. Compression. 22. 2 channels. 23. Delete previous delay (disabled). 24. Random/Stereo. 25. Interface options: Save / Load. 26. ADSR effect. 27. UserDefined control. 28. Self-calibrate the ADSR. 29. 32x, 48x, 80x, 128x, 256x presets. 30. Change presets while playing. 31. Auto-fade. 32. Cabinet emulation. 33. Change the sound on the input. 34. A/B comparison. 35. Selection and note on the beat. 36. Lock the pitch while the delay is set. 37. MIDI in/out. 38. X/Y control. 39. Pitch bend. Triple Bypass is a VST AU plugin that provides three independent real time effects in a single effect chain. Of course, this arrangement is completely functional in your DAW if you own a VST plugin version that supports multiple effects, but here’s the catch: you’ll have to unlock the effects one by one, then lock them and unlock each other. In effect, this plugin will only offer three independent settings that could be easily achieved with any audio editor. The plugin
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This is a tape-based delay effect that uses a drum based delay algorithm in order to enable you to induce long echo delays. The sound is truly vintage, and it has a tape hiss characteristic that most classic tape delay effects lack. It is especially useful in the disco and rock genres. The effects are recorded on tape. The effect is so long that it has been divided into various parts. You can loop the delay back to back and use the tape to simulate how the effect is applied in the tape recorders of the 50s and 60s. You can control the input and output of the tape through a latching switch. You can reverse the tape or stop it at any time. Instructions for installation and use: The plugin requires a host application that is capable of using the VST plugin API. The main requirements include a host application that is: – fully 32 bit – supported by VST 2.2 or later – available for both Mac and Windows platforms When the host application is installed, you will find a Windows or Macintosh.vst file in the Plug-ins section. When you drag this file to your host application, you will be able to hear the effect for the first time. Please note that the above applies only to the Mac version. For Windows, you will need to download the plugin and drag the.vst file to your host application from the media. In addition to being able to select the length and the speed of the tape delay, you can choose between two latching modes: one-shot or re-trigger. The one-shot mode is the most useful when you just want to loop the delay without stopping the tape. In contrast, the re-trigger mode is the preferred setting when you want to add extra control over the effect. Finally, a small volume knob allows you to control the audio level of the effect. Because the signal path is from the input to the output, the input and output level levels will be the same. If you want to use a stereo signal, then you will have to raise the volume of the output level. You can use the standard VST effect features to fine-tune the effect parameters. In order to change the effect parameters, you will have to open the Inspector and then select the effect. However, a large number of effects are available out-of-the-box and you can simply customize the parameters by dragging the parameters over the dials. Setting the delay time manually is especially 2f7fe94e24
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Tape delay effect with a unique pitch modulation based on frequency. It gives your whole mix a feeling of all tape recorders being on in real time, a feeling that remains unpredictable. The advanced selection system in the plugin allows you to fine-tune any of the 2 main features – delay time and speed. This allows you to achieve the most analog results. You can independently adjust speed, pitch and delay time – in real time, while you are recording. The pitch, as the delay time is adjusted, changes smoothly, effectively making the effect sound as though it is an original tape echo without the cracks, warps and the like. You can save your settings for quick recall – as well as make changes on the fly. There is a powerful tape simulation section in the plugin. Instead of an authentic delay effect, it adds back- and forth bouncing to simulate variable tape speed and level changes. You can use this in combination with the delay effect to simulate an analog tape echo machine, or you can use it separately to provide a special effect to your mix. Options: 2 different vibration modes: excites the higher frequencies and dampens the lower frequencies 6 different tape speeds: you can use an infinite number of intermediate values or keep it simple by only adjusting the speed 2 levels can be set for each channel: 0 is on and 100 is off Modulation frequency: changes the pitch as the delay is continuously adjusted LFO: variable speed of the LFO depends on the delay time (four taps) Time: number of seconds (can be any value between 0 and 3600) Speed: control the overall speed of the delay (different from the tape speed) Fade: can be either fixed (1) or automatically triggered after a fade out (0) Inertia: a mode for filtering the tape delay signal which helps avoid the tape-like delay behavior that makes each new delay time sound like an instant replay of the previous one. The sound becomes much less robotic Smooth transition between the delay time and the speed when switching between each of the previous delays (it can set it to “Never” if you’d like to avoid the clicking): you don’t want to hear the “click” when you are changing the delay time or the speed (a single tap is always smooth) Save the settings for quick recall: each delay time can be saved as a user setting Can be instantiated as a VST plug-in or AU module: can be
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A vintage tape delay effect that is set up in a very different way to most existing plugins. If you are familiar with tape delay effects, then the main difference of this plugin is that it is set up as a tape loop with a slow rate that simulates the tape speed decrease. The tape length is set by default to 3600 seconds but you can trim off the beginning so that the length of the delay changes. With the built-in presets, you can find different delay times for a moderate delay, a long-lasting delay or even go all the way up to a very short delay effect that goes unnoticed within a short amount of time. Let’s go deeper by describing the ins and outs of this plugin. The Tape Sim feature sets up the delay in a special way that will recreate the behavior of a tape machine. It starts recording from the beginning of the tape, continues playing from the end and smoothly makes the transition between the two when the delay time increases or decreases. The Tape Sim feature comes in handy when you want to make quick adjustments to the delay length. All you need to do is touch the delay knob and the unit will be ready for your input with the chosen delay time. The time that you select will be shown in the up-right corner and you can even increase or decrease the current delay setting. The slow rate of the tape simulator will be set by default to 300 samples per second. Of course, you can change it to whatever you want but the setting is static and will not be affected by the tempo of the VST. This may result in some problems when you want to process and change the delay time while using the looping device. The built-in Tape Sim engine is also available as a standalone plug-in. It also comes with the dynamic and static presets. You can also adjust the delay time and noise reduction independently. The presets set up the delay to the following lengths: A moderate delay of 600 seconds A long-lasting delay of 3600 seconds A very short delay of 300 seconds At the end of this introduction, we would like to mention that the expression level of the dynamics engine is set to the low range. This means that you will not hear any significant amount of dynamics from the engine. This type of setting will work in a way that you will hear the best from the tape-based delay. In addition to these features, you can change the sound characteristics. This will include the pitch, loop start point, loop
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